1612 Antwerp Cathedral
Fra Angelico
La Deposición
The Deposition
Pintura identificación:: 29734
la Témpera mk67 enel entrepaño 68 7/8x 72 13/16in
el Petróleo mk67 en el entrepaño 30 5/16x207/8in
Gerard David
La deposición
The deposition
Pintura identificación:: 31733
mk76 Pintó entre C. 1510 y 1515 Petróleo en el canves 56 1/8x44 1/4in
Simone Martini
La Deposición
The Deposition
Pintura identificación:: 33320
la Témpera mk86 en lamadera 29.7x20.5cm
el Fresco mk86 c.1320-1330 232x377cm Assis, San Francesco. La Iglesia más baja
Gerard David
La Deposición
The Deposition
Pintura identificación:: 38176
mk29 1510-15 Engrasan en la lona 142.5x112.4cm
Fra Angelico
La Deposición
The Deposition
Pintura identificación:: 40184
mk156 1437-1440 Témpera en pone panel176x185cm
mk170
1500-1505
Oil on oak
74.9x47.3cm
Oil on oak
75 x 47 cm
The Deposition" oil on Canvas.
cjr
Date 1563(1563)
Medium oil on poplar panel
cjr
Date 1516(1516)
Medium Oil on canvas transferred from wood
cjr
1563(1563)
Medium English: oil on poplar panel
cyf
Date 1565(1565)
Medium Oil on wood
Dimensions Height: 350 cm (137.8 in). Width: 235 cm (92.5 in).
cjr
Date 1470s
Medium Oil on oak panel
Dimensions Height: 129 cm (50.8 in). Width: 95 cm (37.4 in).
cjr
Date c. 1460(1460)
Medium Oil on oak panel
Dimensions Height: 57 cm (22.4 in). Width: 52 cm (20.5 in).
cjr
Date c. 1528(1528)
Medium Oil on wood
Dimensions Height: 313 cm (123.2 in). Width: 192 cm (75.6 in).
cjr
Date 1512(1512)
Medium Oil on wood
Dimensions Height: 298 cm (117.3 in). Width: 197 cm (77.6 in).
cjr
1516(1516)
Medium Oil on canvas transferred from wood
cyf
c. 1435(1435)
Medium Oil on oak panel
cjr
first half of 16th century
Medium oil on wood
cyf
between 1500(1500) and 1505(1505)
Medium oil on oak
cyf
between 1513(1513) and 1516(1516)
Medium oil on panel
Dimensions Height: 51 cm (20.1 in). Width: 97 cm (38.2 in).
cyf
1528(1528)
Medium oil on panel
Dimensions Height: 313 cm (123.2 in). Width: 192 cm (75.6 in).
cyf
Raphael
The Deposition
Pintura identificación:: 94702
1507
Type Oil on wood
Dimensions 184 cm x 176 cm (72 in x 69 in)
cyf
1516(1516)
Medium Oil on canvas transferred from wood
cyf
Sebastiano Ricci (1 August 1659 - 15 May 1734) was an Italian painter of the late Baroque school of Venice. About the same age as Piazzetta, and an elder contemporary of Tiepolo, he represents a late version of the vigorous and luminous Cortonesque style of grand manner fresco painting.
He was born in Belluno, son of Andreana and Livio Ricci. In 1671, he apprenticed to Federico Cerebri of Venice. Others claim Ricci's first master was Sebastiano Mazzoni. In 1678, a youthful indiscretion led to an unwanted pregnancy, and ultimately to a greater scandal, when Ricci was accused of attempting to poison the young pregnant woman to avoid marriage. Imprisoned, he gained release only after intervention of a nobleman, probably a Pisani family member. He married the pregnant mother in 1691, although this was a stormy union.
After his arrest, he moved to Bologna, where he domiciled near the Parish of San Michele del Mercato. His painting style there was apparently influenced by Giovanni Gioseffo dal Sole. On 28 September 1682 he was contracted by the "Fraternity of Saint John of Florence" to paint a Decapitation of John the Baptist for their Oratory. On 9 December 1685, the Count of San Segundo near Parma commissioned from Ricci the decoration of the Oratory of the Madonna of the Seraglio, which he completed in collaboration of Ferdinando Galli-Bibiena by October 1687, receiving a compensation of 4,482 Lira.
Related Paintings to Sebastiano Ricci :. Woman Broken Forms (mk34) Thomas Jefferson A Southern Harbour Scene The Lady in Red
